Marco Bazzotti (Italy)
To be announced
Detlev Bork (Germany)
Early Sources of Guitar Music in Northern Germany
Dirk Buhrmann (Germany)
Antonio Jimenez Manjón and his Torres 11-string Guitar
Jan de Kloe (Belgium)
The Cortabarria Collection and its Authenticity
Jan de Kloe (Belgium)
An Index to the Prat Diccionario
Josef Focht (Germany)
The Innsbruck Guitar Form in the early 19th Century
Tom Edsges (The Netherlands)
An unkown Concerto for Terzina and Strings
Stefan Hackl ( Austria)
Die Wiener G(u)itarreschulen des 19. Jahrhunderts
Thorsten Hindrichs (Germany)
Christian Gottlieb Scheidler - Inwardness and Transcendence in German
Guitar Music around 1800
Ken’ichi Hiratsuka (Japan)
The Role of Friction in the Guitar Tone
Giovanni Intelisano (Italy)
Luigi Mozzani
Christof Jäggin (Switzerland)
Intimathy and Secrecy in 19th Century Guitar Songs-Manuscripts of Guitar
Songs from the Lake Constance Region
Jürgen Libbert ( Germany)
Selected Examples for the Transition from Tabulature to Staff Notation in
the 18th Century
Damian Martin Gil (Spain)
Inverted Crossing in the 19th Century
Erling Møldrup (Denmark)
Søffren Degen and his Connection with Napoléon Coste in Paris
Fulvia Morabito (Italy)
Luigi Boccherinis Guitar Quintetts: new Perspectives on Genesis, Sources
and textual Transmission
Matanya Ophee (USA)
Spanish Music reflected in the Works of Russian Guitarrists
Giacomo Parimbelli (Italy)
Italian Guitarrists (in Bergamo?)
Erich Wofgang Partsch (Austria)
Guitarmusic of the Viennese Biedermeier
Gerhard Penn (Switzerland)
Early Viennese Guitar Music: The Guitar Concertos from Louis Wolf to
Johann Padovetz
Erik Stenstadvold (Norway)
Guitar Methods 1760-1860. A historical Survey
Andreas Stevens (Germany)
The Munich Guitar Ensembles (Münchner Gitarren Quartett, Münchener
Gitarre Kammertrio). Genesis, Literature and Activities
Michael Sieberichs-Nau (Austria)
Johann Dubez
A Guitar Virtouso in the Period of Decline in Vienna
Johannes Tappert ( Germany)
Presentation of early German Guitars from Jacob Otto
Alex Timmermann (The Netherlands)
The Development of the Terzina
Janos Vajda ( Germany)
Manuel de Falla Homenaje a Debussy-Manuscript and Versions for Guitar
and Orchestra
James Westbrook (United Kingdom)
Investigative Methods for the Study of Historical Guitars: A Case Study of
the Work of Antonio de Torres